The Cold Heaven

- Pages: 5
- Word count: 1042
- Category:
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Order NowâThe Cold Heavenâ, is about Yeatsâ is a poem dedicated to his one and only true love, Maud Gonne, it is a true Romantic poem with feeling expressed and it is inspired by nature as well as prompting the reader to reflect at regular intervals. He expresses his regret and guilt over their failed love together and believes that he will be punished after death for it, which relates the title âThe Cold Heaven,â which isnât surprising because he was a devote Irish catholic and this was believed extensively.
He gives us the impression that he has behaved badly in his relationship with Maude Gonne and is full with âa bleak spasm of guiltâ when in fact she is the one who should have been feeling guilty because he proposed to her many times but she was very heartless in rejecting him every time, when it is obvious that he is madly in love with her.
There is a very clever use of juxtaposition in the title, âCold Heavenâ, the word cold has an obvious meaning but heaven is generally assumed to be a warm, happy and vibrant place so having a strong adjective before it makes it seem a lot worse than it truly is, maybe he describes it as âcoldâ because he believes he might be rejected from it when the time comes. Also it is a direct reference to God, yet seems to go against what heaven is perceived as being like, showing how even religion is not a comfort to him.
The use of âsuddenlyâ pitches the reader straight into the poem and this creates a sense of urgency, the first line as a whole is almost like to the title in the way it shows heaven as being as cold, the idea of it being ârook-delightingâ, and as rooks usually represent death and graveyards, it gives us a dark image of heaven ands the their calls drown out the angelic sounds of the heavens.
The us of the word,â burned,â in line 2 and the fact that it is next to ice, in my opinion makes it more prominent in its portrayal of a mans passion for love, I this case for Maud Gonne, and the more he expresses his feelings the more she pushes him away,â but the more ice,â as it seems like she carries on fighting back and he never gives up, his passion is too strong to just go away.
In lines 3-5, he switches to a more desperate and mad passionate tone, he is said to be âdriven,â which shows how this love have engulfed him in a inescapable grasp and he is feeding off of it, and he has lost control over his emotions,â so wild,â which shows how over the top he has gone.
The use of the relative pronouns, âthis and that,â and,â casual thought,â gives an idea of a mundane feel and making it seem like his love and obsession with Maud Gonne is his everything in his life, and everything else is worthless without that drive to feed his desire to succeed. Then there is a dramatic pause created by the enjambment with the gap between,â this/vanished,â which could mean that he believes that the feelings he holds towards Gonne have finally gone, or he thinks they should of gone and that pause is his thinking time to justify why they havenât.
Plus in the next line he says, âleft but memories, that should be out of season,â which implies that he wants the memories and emotions to just leave him, and go away so he can get over her and Yeats shows his passion for Gonne, his first love, by saying, âthe hot blood of youthâ, and as blood is essential for life it tells us that his reason for being alive is her, that is what is keeping him awake and mentally alive, it gives us feelings of energy, passion and fresh power.
As the poem moves on, still in the first sentence, Yeats begins to reiterate his ideas of guilt for the obsession he had over Gonne; he notices that his thoughts were quite mad, âtook all the blame out of all sense and reasonâ he seems to know that what his feeling is illogical and without âsenseâ, but he cannot find a way to stop himself feeling so guilty, he seems overrun with emotions and cannot control as he, âcried and trembled,â which is polysyndeton and it shows us that the worst of him is filled with passionate intensity, the best completely lacking.
Line 8 is where there is the first and only full stop in the whole poem, but before that we see that he isYeats says, âRiddled with light,â and it is like he has been penetrated with light, and the image of burning from line 2 return to us, which refers in this case to how his passion has torn him apart. Then there is a full stop, a significant caesura that is doubly emphasised with the exclamation point. This shows the shift in the poems mood, to a more dark and worrying tone.
He seems to physicalise the ghost, âthe ghost begins to quicken,â and in an attempt to envisage life after death due to his extreme obsession with Gonne, he conjures us many ideas of different situations in the last 3 lines. Enjambment is used when he says sent/Out naked on the road, â and the fact that âoutâ is left on its own places it in a strong position so emphasise it more, also the metaphor in that phrase makes the ghost seem almost human, and very vulnerable, it gives a image of homelessness and what this passion can do to a man.
The use of the past participle, âstricken,â makes it seem inflicted, and the,â injustice of the skies,â is a counter to Christianity because he seems to disagree with the overpowering good nature of heaven and God, and the skies make it seem so impersonal, a power that is not seen whereas it also relates with the title. He imagines what will happen to him after death, what will become of him because of his uncontrollable expressions of love, and leaving it with a question mark gives it a inconclusive feel as he has no answer.