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How accurate is Baz Lurhmann’s film Romeo+Juliet

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Bag Allurement’s film Romeo and Juliet includes everything Shakespeare intended in his play: hate, violence, and a forbidden love leading to tragic suicide. Alarming has cleverly taken the play and enacted it in a way that includes all the main elements of Shakespearean version of the story, combined with the elements of a modern action film. Not only has he created his own interpretation, Alarming also is able to keep his film accurate due to film codes. In his rendition of Romeo and Juliet, Bag Alarming has represented the characters Table, Juliet, and Mercuric accurately through their costuming.

In his feature film, Bag Alarming uses the film code of costuming to accurately portray Table. Table makes his first appearance in the opening scene of the movie, where he is seen wearing skin-tight black leather clothing. His outfit is accompanied by dark sunglasses, stunning metal-capped shoes and perfect, slicked-back hair. It becomes very apparent to the viewers that Table obviously takes care to a large extent of his appearance: he looks immaculate. The image the audience immediately receives from this is that he is conceited and arrogant. Table’s outfit in the first scene perfectly grasps his character in the play.

In the original text written by Shakespeare, Table is arrogant and egotistical. By dressing Table with expensive, flashy clothes Bag Alarming points out his vanity. It is clear that Table thinks very highly of himself, and the audience is given the impression that a person who was this vain would react violently when their pride is injured, just as Table does later on in the play. Bag Alarming uses Table’s costuming a second time to highlight and develop his character accurately. At the Caplet’s costume party Table is wearing a devil costume, complete with horns and a pitchfork.

This insinuates that Table’s personality is quite like the devil’s – hateful and revengeful. By using appropriate costumes, Bag Alarming has achieved in creating an accurate depiction of Table. Bag Alarming has accurately represented Gullet’s personality through her costumes. Throughout the beginning of the film Juliet is dressed in fair, light colors; mainly white. An example of this is Gullet’s white dressing gown, which she wears around the house, particularly in her bedroom. By wearing soft colors (in contrast to bright, bold colors) Gullet’s purity and innocence is shown.

She honors her mother and father and is compliant to their wishes in the first half of the play. Gullet’s white costuming indicates how clean and untouched she is. In the costume party scene Bag Alarming again shows her angelic character by dressing her in an angel costume. This is particularly significant to the scene at the masquerade ball in the play when Romeo requests Gullet’s permission to kiss her. He speaks as if Juliet was a saint, and he a pilgrim. This is enhanced in the film, due to the effect that Juliet is actually dressed like a saint.

Nearing the end scenes of the film, Gullet’s costuming changes with her change of character. Juliet is no longer so innocent or pure: she has defied her mother and father, lied and refused her name; thus, she no longer wears clean white clothes. When Juliet goes to make a confession to the priest, she is wearing a bold and vivid dark blue. Juliet is no longer good and compliant. She loses control over herself and ends up pointing a gun at Friar Lawrence. This really signifies her loss of goodness and purity. By using costuming the audience can see Gullet’s personality throughout the film, and how the costumes adjust to her behavior changes.

Americium’s personality is really outstanding in the film due to his costuming, which depicts his character accurately. Mercuric wears a very flamboyant costume at the party. He is dressed in a daring white dress and wig, which contrasts very distinctively against his dark skin. The costume perfectly represents Americium’s character: wild, spontaneous and out of control. Mercuric is seen as the lively, untamed character in the play. His traits can be contrasted significantly against Romeos. Romeo is reserved, serious and is a romantic. Mercuric, on the other hand, is cynical, fierce and does not believe in love.

Many times in the play Mercuric can be seen transforming from emotion to emotion very rapidly, such as when reciting the famous “Queen MBA” speech Mercuric travels from excited and energetic to fiercely angry. In Allurement’s film Romeo is in a simple knight costume, showing his simple nature whereas Mercuric is wearing very vivacious, wild clothing indicating the deeper complexity of his character. Bag Alarming was very successful in creating an accurate depiction of the play using the film code of costuming. Table’s outfit was immaculate, showing his vain and proud character.

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