The Wreck of the Hesperus and The Highwayman
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Order NowHunter S. Thompson once said, âFor every moment of triumph, for every instance of beauty, many souls must be trampled.â In the ballads âThe Wreck of the Hesperusâ by Henry Wadsworth Longfellow and âThe Highwaymanâ by Alfred Noyes, they share similar as well as different purposes. Although Noyesâ poem demonstrates that eternal love will triumph over betrayal, and Longfellowâs poem reveals the tragic outcome of a sea captainâs pride, both poems share specific literary and poetic elements.
In Longfellowâs poem âThe Wreck of the Hesperusâ, the poem is told as a story in poetic form, known as a narrative poem. âHesperusâ takes place in 1839 off Normanâs Reef near Gloucester, Massachusetts. The protagonists are the skipper and his daughter. His daughter could be described as blue-eyed, hair like brown sea weed and rosy cheeked. The skipper smokes pipe and is glassy eyed with a scornful laugh. The antagonist in this story is the hurricane, it killed our protagonists. Minor characters are the other people on the boat as well as the captain. We donât hear about them throughout the poem. In Wreck of the Hesperus, we experience a Man v. Nature conflict described as the overconfidence of the captain by facing the sea during the hurricane.
The point of no return is when the father doesnât answer the daughter. There is a common bond between the skipper and his daughter. âIt was the schooner Hesperus, /that sailed the wintry sea; / and the skipper had taken his little daughter/ to bear him companyâ (Lines 1-4) The falling action in The Wreck of the Hesperus is the continuation of the hurricane and discovering the dead girl. In resolution, the narrator implores Christ to save us from a death like this. In the poem, there was an allusion based on Christ. âAnd she thought of Christ, who stilled the wave, / on the Lake of Galilee.â (Lines 55-56) The line is clearly inspired by the Sea of Galilee, where many of Christâs first and last events of his ministry occurred. The figurative language is Wreck of the Hesperus guarantee a better understanding.
In Noyesâ poem, âThe Highwaymanâ, he bases the poem on four subjects: love, betrayal, death and loyalty. The poem takes place in the 18 century probably the Spaniardâs Inn on Hampstead Heath, England. The protagonists in the story are the Highwayman and Bess. The Highwayman is a robber and Bess is the landlordâs daughter who has a red love knot in her hair. The antagonists in The Highwayman are King Georgeâs men. They are perceived in the poem as the Highwaymanâs enemy and they eventually seize him.
Bessâs father, the landlord is the minor character in the poem for his lack of role in theme. The conflict in this ballad is Man v. Man, the love between the Highwayman and Bess. The climax is when Bess takes her own life to warn the Highwayman that King Georgeâs Men are coming.
âHe turned; he spurred to the west; he did not know who stood/Bowed, with her head oâer the musket, drenched with her own red blood.â (Lines 79-80) In those lines, it is identified that the Highwayman found his lover dead, drenched in her own blood. Later, in the falling action, the highway man rides and gets killed by King Georgeâs men. Noyesâ uses personification with âThere was death at every windowâ (Line 46). It is clear there canât be death at every window but that gives a sense of danger and horror at every window. Noyesâ use of mood, tone and figurative language make the poem easier to break down and analyze.
Both poems set a mood of love, betrayal and even heartbreak. With both poems, the word âbreastâ symbolizes oneâs heart. For example, in Wreck of the Hesperus on line 81, âThe salt sea was frozen on her breastâ and in The Highwayman on lines 77-78, âHer musket shattered the moonlight, / shattered her breast in the moonlight and warned him â with her death.â Itâs also known that both female companions are beautiful by description. Sailorâs daughter is blue-eyed and rosy-cheeked while Bess was the landlordâs black-eyed daughter with a red love knot in her hair. Next, there is a common bond in both poems.
In Wreck of the Hesperus, there is a father-daughter bond. The sailor brought his daughter to bear him company. In The Highwayman, there is an intimate relationship between Bess and Highwayman. Furthermore, there is a similarity in the climaxes: death. In Wreck of the Hesperus, the father doesnât answer his daughter who bared him company throughout the rough seas. In the Highwayman, Bess shoots herself to warn the Highwayman that King Georgeâs men were approaching. Lastly, in both poems, the females perish because the males are too confident in their misadventures. In âHesperusâ, the narrator implores Christ to save us from a death like us. In The Highwayman, the lovers reunite in the moonlight. Both writers include various amounts of figurative language to grasp understanding.
In conclusion, âThe Highwaymanâ and âThe Wreck of the Hesperusâ had many similarities and differences, despite the fact they were both romantic ballads. Through the lines of the poem, readers are able to pick up symbols, metaphors, similes etc. This goes to show although Noyesâ poem demonstrates that eternal love will triumph over betrayal, and Longfellowâs poem reveals the tragic outcome of a sea captainâs pride, both poems share specific literary and poetic elements.