Peter Randall-Page Artwork Analysis

Peter Randall-Page has carved two complementary works. Created on a large scale, these intricate, organic forms are revealed in all their detail and draw our attention to the tiny fragile shapes that exist in the forest. The sculptures are placed under trees which they then reflect the balance in the Dean between deciduous and coniferous trees. Peter Randall-Page has carved two complementary works. Created on a large scale, these intricate, organic forms are revealed in all their detail and draw our attention to the tiny fragile shapes that exist in the forest. The sculptures are placed under trees which they then reflect the balance in the Dean between deciduous and coniferous trees.

His sculptors have inspired me, to focus on the detail and the shape of the product as that is what could express a lot about who the person is and where the idea come from. His sculptors have inspired me, to focus on the detail and the shape of the product as that is what could express a lot about who the person is and where the idea come from.

This sculptor is called green fuse, I think that the model is very similar to images of things growing out of the ground, very powerfully as they do in the spring, I think this because of the hints the tittle gives away. I feel that Peter Randall-Page wanted to make something that irrupted out of the ground like a bamboo shoot which has irrupted into the sky reaching high towards the sun. I think the form of the sculpture was expressed with the sense of upwards-thrust. Peter Randall-Page had got the idea of doing this from a poem by Dylan Thomas; it’s called ‘the force that through the green fuse drives the flower’. Peter Randall-Page had studied this poet and his poem at A-level. This sculptor is called green fuse, I think that the model is very similar to images of things growing out of the ground, very powerfully as they do in the spring, I think this because of the hints the tittle gives away. I feel that Peter Randall-Page wanted to make something that irrupted out of the ground like a bamboo shoot which has irrupted into the sky reaching high towards the sun. I think the form of the sculpture was expressed with the sense of upwards-thrust. Peter Randall-Page had got the idea of doing this from a poem by Dylan Thomas; it’s called ‘the force that through the green fuse drives the flower’. Peter Randall-Page had studied this poet and his poem at A-level. The Green Fuse