The Significance of Jack in Lord of the Flies

- Pages: 3
- Word count: 706
- Category: Lord of the Flies
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Order NowLord of the Flies was written several years after the end of World War Two; as Golding was exposed to a plethora of atrocities on the western front, the war would have impacted his life significantly. Golding uses Jack to express his concerns about the innate, evil passion for savagery. One of the most obvious and yet significant factors about Jack is his appearance. Golding introduces him by denoting his hair as âredâ and his âlight blue eyesâ as being âready to turn to angerâ.
In spite of this un-friendly introduction, the reader, to some extent, is tricked into accepting the innocence and friendliness of Jack â âJack and Ralph smiled at each otherâ. Perhaps Golding uses the symbolic colour of red, and the savage appearance of Jack, to lament the inevitable. The colour red is symbolic of anger and hatred; whereas anger is symbolic of an animalistic character trait.
The fact Golding ingeniously combines a plethora of characteristics â both moral and immoral â in creating Jack, perhaps accentuates the innate capabilities of man-kind: although it is possible to act on our civilised character traits, we are diseased with the intrinsic capacity and desire for evil. Jack significance is not merely confined to his appearance: he stands for dictatorship, and acts as a barrier against democracy, and hence Ralph. Unlike the latter, Jack takes advantage of the âlittleunsâ vulnerability.
He proposes a life filled with fun and hunting; unlike Ralph, who offers laws, rules and the conch. Gradually, Jack uses his power to convert his virtuous choir-boys into savage beasts: the most obvious example being Roger. At the start of the novel he is described as one âwho to himself with an inner intensity of secrecy and avoidanceâ; by the end of the novel, however âthe taboo of the old lifeâ had been destroyed, and Roger is described as carrying âdeath in his handsâ Jacksâ affects on the boys is not only confined to the insides, but to their outsides as well.
After Jack âplanned his new faceâ his choir-boys felt encouraged to follow his lead: by the end of the novel, the boyâs appearance is akin to the beasts of the forests. This decent into savagery, promoted by Jack, states the magnitude of the boyâs actions: not only to they commit atrocious acts, but they have transformed evil into a ritual and integrated such character-traits into their personality. It is perhaps the similarity between Jacksâ murdering of the bore and Rogerâs murdering of Piggy that defines the brutality of Jacks society.
The pigs on the island were killed for two reasons: they were a source of food; but more importantly they provided the boys with a hobby. When Piggyâs death is described to be âlike a pigâsâ, it becomes clear as to what Jack has done to the boys: he has crafted them into power-hungry barbarians, such that murdering a fellow acquaintance becomes acceptable and enjoyable. Goldingâs description of Jack at the end of Lord of the Flies encapsulates all we know to be true about Jack â he is savage and power-hungry; but perhaps for the first time in the novel Jack âstood stillâ.
The reader has to ask themselves, why? It could simply be due to the authorising presence of an adult; however, if we analyse how the naval-officer is presented, it is possible to conclude otherwise. Jack revered violence, blood and power but the tools he used to inflict pain on others are meek; the naval officer on the other hand posses âa revolverâ, a weapon with a superior level of authority. This is perhaps why Jack âstood stillâ: he was in total awe of this supercilious level of power, and felt belittled and insignificant.
The patronising presentation of the officer only accentuates the intrinsic, incorrigible evil within Jack; but it is Goldingâs ultimate presentation of Jack that signifies his greatest concerns: âman-kinds essential illnessâ inflicts every-one of us â this is implied as Golding concludes his book with the theme: âthe darkness of manâs heartâ. Throughout the novel, Golding increases the stark-presentation of evil; he uses Jack, only to promote the obnoxious behaviour on the island. When we place Jackâs wage for power in historical context, we can conclude the following: power corrupts; absolute power absolutely corrupts.